|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
LANFRANCO, Giovanni Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
|
|
|
|
|
|
|
LANFRANCO, Giovanni Venus Playing the Harp (Allegory of Music) sg 1630-34
Oil on canvas, 214 x 150 cm
Galleria Nazionale d'Arte Antica, Rome
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni The Annunciation y Oil on copper, 74 x 54,5 cm
The Hermitage, St. Petersburg
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Hagar in the Wilderness g Oil on canvas, 138 x 159 cm
Mus??e du Louvre, Paris
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Miracle of the Bread and Fish 1620-23
Oil on canvas, 229 x 426 cm
National Gallery of Ireland, Dublin
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Norandino and Lucina Discovered by the Ogre sg c. 1624
Oil on canvas
Galleria Borghese, Rome
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni St Ursula and the Virgins 1622
Oil on canvas, 209 x 138
Galleria Nazionale d'Arte Antica, Rome
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Coronation of the Virgin with St.Augustine and St.William of Aquitaine (mk05) Canvas,86 1/2 x 56 1/2''(220 x 144 cm).Collection of Louis XIV;acquired from Eberhard Jabach in 1671.Alater version was painted for a chapel in Sant' Agostino in Rome in 1616
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Hagar in the Widerness (mk08) Oil on canvas,
138x159cm
Paris,Musee National du Louvre
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Banquet with a Gladiatorial Contest mk61
Oil on canvas
233x355cm
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni The Ecstasy of St.Margaret of Cortona mk67
Oil on canvas
98 3/4x72 13/16in
Pitti,Palatine Gallery
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni La separation Saint Pierre et de Saint Paul mk70
Toile.
H.1.07
L.1.39
Versailles,Musee National du Chateau
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Recreation by our Gallery mk79
1630-1631
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Hagar in the Wilderness mk86
undated
Oil on canvas
138x159cm
Paris,Musee National du Louvre
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Annunciation mk156
c.1616
Oil on canvas
296x183cm
|
|
|
|
|
|
|
|
|
|
LANFRANCO, Giovanni Hagar in the Wilderness mk244
138x159cm
Oil on canvas
paris
|
|
|
|
|
|
|
|
1 | |
|
|
LANFRANCO, Giovanni
|
Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
|
|
|
|
|
|